Medium: oil and acrylic on belgian linen
Although I work across both traditional media and new media, I try to bring a painter’s sensibility to everything: a concern with image surface and illusion, form and volume, colour relationships and composition, texture and so on. That’s a set of both a conceptual and an aesthetic concerns.
Colour and materiality are very important to me. The colour relationships and physical presence of paint (thickness, opacity or transparency) are central to its emotional characteristics; they can also assert the painted surface, joining area to area.
In my work I aim to combine figurative and abstract approaches. Even in a figurative painting such as Iceberg, the visual vocabulary is drawn from the le